Lastly, many of the cuts on the second disc are overly sappy and cringe-worthy. Furthermore, the samples used throughout the album are often arbitrary and jarring Nicki's "Boss Ass **** and Michael's addition which are the worst examples. One would expect some of the best sounds coming from the most popular artist in the world today, yet Drake doesn't only play it safe but goes as far as being boring. The production on the album is, for the most part, vapid and prosaic. There is an overall redundancy that becomes increasingly tedious as you continue listening to the record whether it be the sonic pallet or the conceptualism. An artist is supposed to keep the best of the best and discard anything else, regardless of it being just "good." Not only has Drake kept the "good" but he's also invited the mediocre, the poor and the absolute terrible. Let's begin with the length of the album: there is a concept in film and music called "the cutting room floor," clearly Drake is not familiar with it. An artist is supposed to keep the best of the best and discard anything else, regardless of it being just "good." Not only has Drake kept the "good" but he's The issue of Scorpion can really be summed up to Drake spreading himself too thin. The issue of Scorpion can really be summed up to Drake spreading himself too thin.
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